Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Lear, Edward
The Temple of Bassae or Phigaleia,in Arcadia from the Oakwoods of Mount Cotylium.The Hills of Sparta,Ithome and Navarino in the Distance

ID: 27983

Lear, Edward The Temple of Bassae or Phigaleia,in Arcadia from the Oakwoods of Mount Cotylium.The Hills of Sparta,Ithome and Navarino in the Distance
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Lear, Edward The Temple of Bassae or Phigaleia,in Arcadia from the Oakwoods of Mount Cotylium.The Hills of Sparta,Ithome and Navarino in the Distance


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Lear, Edward

English Painter and Illustrator, 1818-1888 English painter, draughtsman, illustrator and writer. In the 1860s Lear described himself as 'Greek Topographical Painter par excellence', aspiring to the title of 'Painter-Laureate and Boshproducing-Luminary forthwith' (quoted in 1983 exh. cat., p. 14). This whimsical summary of his versatile activities as topographical draughtsman, oil painter, traveller, writer and illustrator of nonsense rhymes and stories is typical of Lear's idiosyncratic literary style. It reflected his eccentric personality. He was epileptic and prone to fits of deep depression. In addition, owing to family misfortunes,  Related Paintings of Lear, Edward :. | Civita Castellana | Fan Palms at Arrah,Shahabad District,Bihar | Civita Castellana | The Pyramids Road | The Rocks of the Narbada River at Bheraghat Jubbulpore |
Related Artists:
Lorens Gottman
(1708 -1779 ) - Painter
Orlandi, Deodato
Flemish Northern Renaissance Painter, ca.1488-1541
John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.






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